You can count me as one of those people, for better or worse.
Short answer: for PLA, the defaults are usually close enough.
Speaking as someone who leans toward perfectionism, if you are using PLA - whether Bambu or generic - most stock profiles will produce results that are already very good. The full answer is subjective, because many people who are new to printing have not yet developed a clear sense of what a “perfect” print looks like versus one that is merely “good enough.”
Proper calibration can easily take over an hour, and if you go deep enough, it is possible to spend most of a day tuning a single filament. That time can be valuable as a learning exercise, but only you can decide whether the return is worth it for your use case.
In practice, two factors have a much larger impact on print quality than fine calibration:
- A clean build plate
- Dry filament
PLA is relatively forgiving, but even PLA can suffer from moisture issues or the occasional bad batch. Materials like PETG and PC are far more sensitive - if they are wet, calibration alone will not save the print.
If your prints already look reasonably close to what you see in the slicer preview, there are really only two scenarios where tight calibration consistently pays off:
-
Intermateable parts
If you are printing parts that must fit together, dimensional accuracy matters. That accuracy depends on both the printer and the filament calibration.
-
Smooth or artistic models
This is especially true for silk filaments. Small calibration errors can become very visible under the right lighting.
Examples
Moist versus dry PC filament. Calibration will not fix this. The filament had to be dried. I dried it at 60C for 24 hours. The print on the left was made with wet filament.
Three examples using different filaments and calibration levels, all in the “artistic” category:
- Left - calibrated single-color silk
- Middle - uncalibrated multi-color silk
- Right - PETG using a generic profile with pressure advance and flow rate calibrated
Note the fine, wispy stringing on the PETG. In this case, I simply used heat to burn it off rather than dialing the filament in further.
The the gold Benchy was printed using Bambu Gold Silk, which is no longer offered. Below is the same spool months later after being left out. Wet versus dry - and this is PLA, which many assume is immune to moisture.